WORKSHOP 4: TRANSLATION FROM CONCEPT TO SPACE Learning the basics of creating a listening experience using QLAB.Learning how to use the tools in QLAB to construct sound cues.Introduction to the basic concepts & functions of QLAB.The course is broken down into 4 workshops: However, we do not recommend this basic course for someone who is already an avid user of QLAB. While it is useful to have some prior knowledge or experience in theatre, no prior knowledge, skills or experience with the software is required to sign up for this course. WHO THIS COURSE IS FORįrom theatre sound enthusiasts to aspiring/existing sound operators and technicians, designers and music composers who wants to learn basic QLAB from scratch, or even someone who is simply curious and interested in learning to use QLAB for sound this course is suitable for anyone who hopes to discover QLAB and its possibilities in theatre sound. He was conferred the Young Artist Award (music multi-disciplinary practice) in 2012 by the National Arts Council. Being the Associate Sound Artist and Music Composer for The Finger Players since 2004, Darren is also one of the co-founders of design collective – INDEX. He has also been invited to perform solo or showcase his sound installations in numerous prestigious international music and arts festivals across Europe and Asia. Label and represented internationally by renowned music publishers Phantom Limb (UK) and P*dis (JP). As a music composer and going by the pseudonym – sonicbrat, he is signed to record label Kitchen. ABOUT THE LECTURERįor the past two decades, Darren Ng has sound designed and composed music for over 250 arts productions, and has received multiple Straits Times Life! Theatre Awards for Best Sound. Participants will be given a hands-on experience during this 4-day course, while learning the basics of how to use QLAB for their existing or future projects. This short and comprehensive course is designed to introduce and equip one with the skills and concept necessary to tackle basic programming and operation on QLAB for theatre. “We’re obsessed with providing really great support and are very proud of this part of our company,” Ashworth said.QLAB by Figure 53 is a software for sound, video and light. When the software is being used, members of the company’s 13-member team provides support from Baltimore, answering questions via email. But as the turn at the Olympics shows, it’s being used in larger arenas, as well. “It can play back many files, and send audio to up to 64 distinct speakers or outputs, at the same time.”ĭelighted to share these photos from Sun Hee (Sunny) Kil, Associate Sound Designer of the PyeongChang Olympics Opening Ceremony, where they used QLab for audio playback: /uhrEMY6tcHĪshworth said live theatrical shows from local theaters to Broadway productions remain the largest market for the company. “For audio, QLab is usually the software that is playing audio files out to speakers or a broadcast room,” Ashworth said. It’s also been used during figure skating competitions. QLab, which controls light, audio and video playback during a live performance, was providing the sounds for a pair of big events during the 2018 Winter Olympics in Pyeongchang, South Korea.Īccording to Figure 53 CEO Chris Ashworth, the platform’s audio playback was used during the opening ceremonies of the games at Pyeongchang’s Olympic Stadium on February 9. Software made by Baltimore-based Figure 53 is on one of the world’s biggest stages.
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